HPPR Living Room Concert Series presents a LAST-MINUTE FOLK SHOW on a Thursday night. We’re thrilled to present some serious Texas royalty:Curtis McMurtry, LIVE in concert .
Curtis McMurtry— LIVE IN CONCERT
Thursday, October 24th
Starlight Canyon Bed & Breakfast
(100 Brentwood Rd., Amarillo)
Doors @ 7p / Show at 7:30p
Suggested Donation: $15
****Make life easy; please bring cash!
This traveling troubadour is passing through with his cellist, Diana Burgess(of Mother Falcon). His latest release, The Hornet's Nest, feels like chamber jazz-infused folk, featuring a banjo, cello, horn, and upright bass—but the lyrics are always in the forefront, mining the challenges of relationships and human nature. Don’t miss this fun evening!
ABOUT THE ARTIST: Curtis McMurtry writes about villains that believe they are victims. Influenced by Fiona Apple, Billy Strayhorn and Chet Baker, Curtis' music combines sardonic lyrics with crooked, unconventional arrangements. His first solo album Respectable Enemy was released in August 2014, and drew comparisons to Calexico and John Fullbright. His sophomore album * was released in February 2017, and continues to garner critical acclaim. Curtis' music has been featured on NPR's Weekend Edition, and his song "Wrong Inflection" was included in the soundtrack for comedian Tig Notaro's Amazon Prime series One Mississippi.
Curtis was born and raised in Austin, Texas and grew up surrounded by local musicians of all genres. Curtis studied music composition and ethnomusicology in college, primarily writing contemporary chamber music for banjo and strings. After graduation, he moved to Nashville to sharpen his songwriting by co-writing with elder statesmen including Fred Koller and Guy Clark. He has since moved back to Austin where he performs as a quartet with cellist Diana Burgess (of Mother Falcon), upright bassist Taylor Turner (of Lolita Lynne) and trumpeter Nathan Calzada. Curtis' goal in songwriting and composition has been to integrate the Classical and Jazz orchestration techniques he learned in college with the lyric-driven singer-songwriter style he grew up with.
"Two things about McMurtry up front: Nobody in Austin is doing anything quite like his music right now, and his talent as a lyricist is well above the vast majority of young songwriters in town." - Peter Blackstock, Austin360com
"Backed by a stand-up bass, cello and occasionally a horn section, the 24-year-old McMurtry epitomizes the catch-all nature of Americana" -Rollingstone.com
"The second album by McMurtry shows its conceptual ambition in the way it coheres, exploring a range of emotions through a variety of personae. From the vulnerable innocence of the opening “Hard Blue Stones” through the corpse picked clean on the closing “Silver World,” the 13-song cycle shimmers through the desires and flaws of a shared humanity ." - Don McLeese, No Depression
"While most of Americana's modern practitioners are busy searching for another rough edge to sand down, Curtis McMurtry's debut is refreshingly unsymmetrical and beautiful. Like few songwriters his age, he truly understands what a big tent American music actually is." - Joe Pug